Books | Chapters in books
Heald, K. & Front, S. (2018), forthcoming book on Slow Cinema and Artist Moving Image. Cambridge, Cambridge Scholars Publishing.
Heald, K. & Garton, M. (2017) book Synergy 17. Preface by Professor Paul Haywood, Central Saint Martins, London. Bangor, Bangor University.
Heald, K. & Liggett, S. (2017) book chapter Visual Arts, Mental Health and Technology. In: Earnshaw, R. ed. Art, Design and Technology: Collaboration and Implementation. Foreward by Professor Daniel Thalmann. Switzerland, Springer Briefs International Publishers.
Heald, K. (2015) Interiors Interiors. In: Tyson, A. ed. Eglurhad | Explication. Ruthin, Arts Council Wales & Ruthin Craft Centre.
Heald, K. & Garton, M. (2014) Suspended Narratives. Preface by Professor Paul Haywood, Middlesex University, London. Salford, University of Salford.
Heald, K. (2014) ‘Dream films’, Women’s Time and Sleep. In: Front, S. & Bemben, A. eds. Hours like Bright Sweets in a Jar – Time and Temporality in Literature and Culture. Cambridge, Cambridge Scholars Publishing, pp.143-169.
Heald, K., & Liggett, S. (2014) Time and the chora: ‘Transitory strata’ and ‘in-between-ness’ within ‘dream films’. In: Lewandowska-Tomaszczyk, B. ed. Time & Temporality in Language and Human Experience. Frankfurt am Main, Peter Lang, pp.401-409.
Earnshaw, R., Liggett, S. & Heald, K. (2013) Interdisciplinary Collaboration Methodologies in Art, Design and Media In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 2013), September 10-13, 2013, Wrexham, UK. Wrexham, Glyndwr University, pp.381-388.
Chapters in Books
Slippage: The Unstable Nature of Difference Contemporary Art Space Chester (CASC), University of Chester, with Susan Liggett, 2015.
Woman Fine Art Society, Bond Street, London, (16th – 17th November, 2013) with Susan Liggett, 2013.
Play Serious following participation in a two-day event for practitioner-researchers, 2022 Northern Quarter, Manchester, UK with Susan Liggett, 2012. www.playserious.info.
Hamburg Vending Machine Kunst Altonale, Hamburg, Germany, Bird-Jones & Heald, Susan Liggett and Elizia Volmann, 2012.
Venice. The Vending Machine: An Installation Serra dei Giardini and the Contemporary Art Galleria Perela, Venice (15th -30th September 2011) Bird-Jones & Heald, Susan Liggett, pp.21 & 51), 2011, http://www.venicevendingmachine.com/catalogue.html.
Hel Goleuni / Gathering Light, Bird-Jones & Heald, 2010.
Odoo/Current Genghis Gallery, Ulaanbaatar, Mongolia, Bird-Jones & Heald, 2007.
Everything will be Fine (Alles Wird Gut), Halle fur Kunst, Luneburg University, Germany, Bird-Jones & Heald, 2007.
Vidro Contemporaneo, following an exhibition at Lugo - Galicia, Spain, Bird-Jones & Heald, 2007. IV Bienal Internacional de Artes Plasticas 2006 Museo Municipal de Arte Contemporáneo en Vidrio de Alcorcón-MAVA Madrid, Bird-Jones & Heald, 2006.
Collaborations1 Makers working with Makers, Public Sited Pieces at the Red House Glass Cone, Stourbridge, UK, Bird-Jones & Heald, 2006.
Bird-Jones & Heald (2014) Once a Mother always a Mother: The Swing and the Hook, Mewe Arts Collective.
Available from: <http://www.eggwombheadmoon.com/hook/> [Accessed 10 February, 2014].
Bird-Jones & Heald in conversation, Oriel Sycharth Gallery, Glyndwr University, 2016.
Bird-Jones & Heald in conversation with Amber Hiscott and Catrin Jones, Mission Gallery, Swansea, 2015.
In-between-ness: Using art to capture a sense of self, interview with David Williams on Community & Charity Focus, Calon FM, Glyndwr University Radio, with Susan Liggett, 2013.
Talking Art & Mental Health, interview with Denise Oliver on Feed Me, Calon FM, Glyndwr University Radio, with Susan Liggett, 2013.