Books | Chapters in books
Heald, K. (2019) forthcoming chapter on Contemporary Art and Design Praxis in an Accelerating Technological Landscape in The Arts, Design and Technology, edited by Rae Earnshaw, Susan Liggett, Peter Excell and Daniel Thalmann. Switzerland, Springer, International Publishers.
Heald, K. & Garton, M. (2017) book Synergy 17. Preface by Professor Paul Haywood, Central Saint Martins, London. Bangor, Bangor University.
Heald, K. & Liggett, S. (2017) book chapter Visual Arts, Mental Health and Technology. In: Earnshaw, R. ed. Art, Design and Technology: Collaboration and Implementation. Foreward by Professor Daniel Thalmann. Switzerland, Springer Briefs International Publishers.
Heald, K. (2015) Interiors Interiors. In: Tyson, A. ed. Eglurhad | Explication. Ruthin, Arts Council Wales & Ruthin Craft Centre.
Heald, K. & Garton, M. (2014) Suspended Narratives. Preface by Professor Paul Haywood, Middlesex University, London. Salford, University of Salford.
Heald, K. (2014) ‘Dream films’, Women’s Time and Sleep. In: Front, S. & Bemben, A. eds. Hours like Bright Sweets in a Jar – Time and Temporality in Literature and Culture. Cambridge, Cambridge Scholars Publishing, pp.143-169.
Heald, K., & Liggett, S. (2014) Time and the chora: ‘Transitory strata’ and ‘in-between-ness’ within ‘dream films’. In: Lewandowska-Tomaszczyk, B. ed. Time & Temporality in Language and Human Experience. Frankfurt am Main, Peter Lang, pp.401-409.
Earnshaw, R., Liggett, S. & Heald, K. (2013) Interdisciplinary Collaboration Methodologies in Art, Design and Media In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 2013), September 10-13, 2013, Wrexham, UK. Wrexham, Glyndwr University, pp.381-388.
Chapters in Books
Slippage: The Unstable Nature of Difference Contemporary Art Space Chester (CASC), University of Chester, with Susan Liggett, 2015.
Woman Fine Art Society, Bond Street, London, (16th – 17th November, 2013) with Susan Liggett, 2013.
Play Serious following participation in a two-day event for practitioner-researchers, 2022 Northern Quarter, Manchester, UK with Susan Liggett, 2012. www.playserious.info.
Hamburg Vending Machine Kunst Altonale, Hamburg, Germany, Bird-Jones & Heald, Susan Liggett and Elizia Volmann, 2012.
Venice. The Vending Machine: An Installation Serra dei Giardini and the Contemporary Art Galleria Perela, Venice (15th -30th September 2011) Bird-Jones & Heald, Susan Liggett, pp.21 & 51), 2011, http://www.venicevendingmachine.com/catalogue.html.
Hel Goleuni / Gathering Light, Bird-Jones & Heald, 2010.
Odoo/Current Genghis Gallery, Ulaanbaatar, Mongolia, Bird-Jones & Heald, 2007.
Everything will be Fine (Alles Wird Gut), Halle fur Kunst, Luneburg University, Germany, Bird-Jones & Heald, 2007.
Vidro Contemporaneo, following an exhibition at Lugo - Galicia, Spain, Bird-Jones & Heald, 2007. IV Bienal Internacional de Artes Plasticas 2006 Museo Municipal de Arte Contemporáneo en Vidrio de Alcorcón-MAVA Madrid, Bird-Jones & Heald, 2006.
Collaborations1 Makers working with Makers, Public Sited Pieces at the Red House Glass Cone, Stourbridge, UK, Bird-Jones & Heald, 2006.
Bird-Jones & Heald (2014) Once a Mother always a Mother: The Swing and the Hook, Mewe Arts Collective. Available from: <http://www.eggwombheadmoon.com/hook/> [Accessed 10 February, 2014].
Bird-Jones & Heald in conversation, Oriel Sycharth Gallery, Glyndwr University, 2016.
Bird-Jones & Heald in conversation with Amber Hiscott and Catrin Jones, Mission Gallery, Swansea, 2015.
In-between-ness: Using art to capture a sense of self, interview with David Williams on Community & Charity Focus, Calon FM, Glyndwr University Radio, with Susan Liggett, 2013.
Talking Art & Mental Health, interview with Denise Oliver on Feed Me, Calon FM, Glyndwr University Radio, with Susan Liggett, 2013.